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Bayless Rose
Bayless Rose was an American singer and guitarist who recorded for Gennett Records in 1930. Although the music industry was highly segregated at the time, it is uncertain whether he was White or African American.
His four titles issued on the Gennett and Champion labels have been seen as stylistically similar to White blues artists such as Dick Justice and Frank Hutchison, and therefore reissued on anthologies of early White country music by County Records〔''Old-Time Mountain Guitar 1927-1931'' re-released 1999.〕 and Arhoolie.〔''Old Time Southern Dance Music: The String Bands Volume 2''. Old Timey LP 101 1965〕 However, he was included in an anthology of Black Ragtime Blues Guitar and likened stylistically in the sleeve notes by Paul Oliver to Black blues musicians of the Northern Piedmont.〔''Ragtime Blues Guitar 1928-30''. Matchbox MSE 204 1982〕 Later reissues have been in collections which are neither exclusively Country nor exclusively Blues.〔''Before The Blues, Vol.1''. Yazoo-2015. 1996.〕〔''American Primitive Vol. II, Pre-War Revenants (1897-1930)''. Revenant Records. 2005〕〔''Art, And Therefore, Ourselves (Songs, Recipes, And The Old People)''. Not On Label. 2009〕
Rose is known to have accompanied 1930 Gennett recordings of the Black artists Clara Burston, Walter Coleman and (possibly) Cow Cow Davenport. For this reason he is included in the comprehensive pre-1943 Blues and Gospel discography,〔Dixon, Robert M. W., John Godrich & Howard Rye. ''Blues and Gospel Records 1890-1943''. Fourth Edition. 1997. Oxford University press. ISBN 0-19-816239-1〕 and excluded from the comprehensive pre-1943 Country Music discography.〔Russell, Tony. ''Country Music Records, A Discography, 1921-1942''. 2004. Oxford University Press. ISBN 0-19-513989-5.〕 However, research published by Christopher King in Issue # 12 of the journal ''78 Quarterly'' suggests otherwise. In an interview, Mildred Justice, the daughter of Dick Justice recalled that her father played with a railway worker called Bailey Rose who she described as ''"quite a bit older than daddy"''. He was "''the man who sounded the most like daddy"'' and taught her father how to play "Old Black Dog" and "Brown Gal". She twice asserted that Rose was not Black, but did describe him as dark-skinned and Arab looking. King suggests that he may have been a Melungeon.〔Summarised in the sleeve notes by Dean Blackwood and Edward Korma to ''American Primitive Vol. II'', and at (sundayblues.org East Coast Blues )〕
==Recordings==
Matrix 16734 was ''Casey Jones Blues'' (unissued) by Cow Cow Davenport with a guitarist who may have been Bayless Rose.〔Dixon 1997. p. 198〕 Matrices 12736-A and 16738—were by Ivy Smith accompanied by Davenport but without a guitarist.〔Dixon 1997. p. 823〕 Rose definitely accompanied Clara Burston on four songs〔Dixon 1997. p. 126〕 and Walter Coleman on four songs.〔Dixon 1997. p.171〕
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